Roma:  Arte della Stampa, 1956; pp.173-178. Cohon, Robert Alcuni riferimenti formali e ideologici per l’Ara Pacis Augustae. These 3 drawings are reproduced on this website. http://cac-scechalifax2011.classics.dal.ca/index.php/CAC2011/CACHFX/rt/printerFriendly/250/0. Available on the web through JStor at “Both on the technical level and in terms of overall conceptualiziation and artistry, the Ara Pacis is a paradigm of the marriage of Greek and Roman”. Ara Pacis Augustae. This is a magnificent, horizontal quarto volume, of about 140 pages, fine paper and printing. Memoirs of the American Academy in Rome (MemAmAc./ MAAR). Book XXXVI; 72, 73. a cita di Maria Piera Sette. Mussolini’s Rome: Rebuilding the Eternal City. "Ara Pacis Augustae: le fonti letterarie". Comptes-rendus des séances de l’Académie des Inscriptions et Belles-Lettres. Vol. Available on the web through JStor at Includes a description of Hadrian's raising of the ground level all across the northern Campus Martius, partly as part of his attempt to regulate the Tiber River. Ara Pacis Augustae / a cura di Pino Stampini "Ricomposizione Architettonica dell'Ara Pacis". pp. Redazione di Engramma   5 (1991), pp. Available on the web through JStor. Painter, Borden W. Listed and annotated as "The Floral Zone of the Ara Pacis Augustae", in the next entry below, L’Orange, The Roman Empire: Art Forms and Civic Life. Doehne, Eric and Clifford A. Nelis, Jan This book is a wide-ranging examination of the ways in which the family was represented during the Roman Empire. The exemplary maps are based on up-to-date research, drawn especially for this publication. Supplicatio in 13 B.C.” “Tra università e istituzioni di tutela: Vittorio Ballio Morpurgo, Furio Fasolo e Bruno Maria Apollonj-Ghetti”. Hannestad’s book “takes as its starting-point the fact that much Roman sculpture was reworked in a later period” (p.5). Journal of Roman Studies. Cambridge, UK: Cambridge University Press. Written by the director of the Museo dell’Ara Pacis, this is often described as the museum guidebook, and it is indeed appealingly presented. “From Brick to Marble: Augustus Assembles Rome”. IV. 79 ff. “Un Tassello della tradizione moderna”. The photographs consist of extremely well-chosen details, carefully photographed, though not always sharply reproduced, with clear explanatory captions. There is a 12 page scholarly preface and bibliography and 20 gray-scale photos. Morante, Francesco Che poi con te è tutto un flirtare Ma tu non concludi mai Ti ho preso due-tre girasoli per farmi perdonare E dai… La mia felpa fluo, uh-oh Nei tuoi occhi blu-u-u Eravamo un duo-uh-oh Ma ora non lo siamo più Sotto casa che ti faccio mille poste He writes that this masterpiece of Augustan art harmonized the idealism and symbolism of Greek art with Roman historical realism. Text of the document available on the web from the Soprintendenza per i Beni Architettonici. Ara Pacis Augustae La mia felpa fluo-uo nei tuoi occhi blu, uh uh Proceedings of the British Academy (BSA/ ProcBritAc). “Moving the Ara pacis and putting it back together was unthinkable. Cambridge: MIT Press, 1991. “Il Grande Perimetro di Cristallo e un’Attenzione alle Opere di Restauro” by Antonio Tranquilli Although the book deals primarily with the transition from late Roman antiquity to the early Italian middle ages, 2 sections deal directly with the Ara Pacis Augustae. Kleiner relates many of these similarities to changes in Augustan society, such as the increased importance of Roman children. La mia fluo-uo nei tuoi occhi blu eravamo un duo-uo ma ora non lo siamo più sotto casa che ti faccio mille poste 34-36; tavv. Bildrhetorik und die Schöpfung einer dynastischen Erzählweise". Munich: C. H. Beck, 1987. Visual Resources: An International Journal of Documentation.. Kostof describes the challenges posed by the awkward site, conflicting interests of the participants, and authoritarian control of Mussolini. 80-92. Leipzig: B. G. Teubner, 1909. GGA 230: pp.133-153. 1-2 (March-June 2013), pp. Moreover, there is strange duplication and overlap. "Il Grande Perimetro di Cristallo e un'Attenzione alle Opera di Restauro". Ciucci, Giorgio Ph.D. dissertation, University of California, Berkeley, 1978. The largest section is devoted to monumental works and the sculpture of master carvers. VIII A. Berczelly, L. 107-109. Gatti, Guglielmo (1905-1981) XI  tav. A thoughtful, early review of Meier’s building which concludes that the museum as container and supplier of services is a success but that its urban image is not. In new diagrams, he suggests convincing realignments. Pp. Strong describes the ways in which the nature of the exhibits evolved in keeping with the changing political aims of the Roman state. Augustan Propaganda and the Ara Pacis Augustae. Thus it celebrates the infant as an essential element of society, yet does not shy away from the representation of the twilight of life. Cele mai noi colectii. Carradori, Francesco Vol. Rosae includes 8 pages and 6 medium-size photographs on the Ara Pacis. 79-102. Boatwright, Mary Taliaferro He concludes that “it would seem that the Camillus is to be perceived as a prominent Roman, probably an important member of the large family of Augustus”. Most exception, however, is the extensive image documentation. "Il restauro scientifico: spigolature all’interno del rapporto Gustavo Giovannoni-Antonio Muñoz". 53 (1881), pp. E ti guardo. Bollettino dei Musei Comunali di Roma. Del Prete, Federico, Ara Pacis. Conference at Brown University, Providenc e, Rhode Island, 1982. 5 vols. Available on the web through JStor. http://www.engramma.it/eOS/index.php?id_articolo=381, Spivey, Nigel Pisa, 2006. Rome: Edizioni del Tritone, 1970. La Teoria del Restauro nel Novecento da Riegl a Brandi. Vol. Res Gestae Divi Augusti La Rocca, Eugenio The 42 page chapter on the Ara Pacis Augustae provides a systematic, detailed review of each section of the altar, describing the multiple sources for and association of each element, and reviewing nearly all proposals for identifications of scenes and individuals, with extensive references. Restit. Galinsky puts several key concepts especially well. Pantaloni. Ovid (Publius Ovidius Naso) 43 BCE - CE 17/18 Semes essay posted on the web Feb. 6, 2012. This is remarkably perceptive, many observation still usurpassed. The book is organized by concept, drawing on a wide range of architecture, urban design, altars, sculpture, reliefs, cups, coins, wall paintings, inscriptions, contemporary poetry and other literary sources. The Age of Augustus, ed. A book of obvious importance for all Roman art by a renowned scholar. 3 vols. Simon, Erika NY: Palgrave, 2005. In this ambitious, provocative book, there are no fewer than 16 chapters, dealing, in varying degrees, with most aspects of the altar. Heslin, Peter A classic 400 page chronological survey, with 130 small, gray-scale plates. “Portraits, Power, and Patronage in the Late Roman Republic”. There are some 130 color photographs, 21 full page, nearly all of the highest profiessional quality. "I just don't get modern art, says Italy's cultural minister" [Sandro Bondi]. Cosul tau este gol CATEGORII . VII (1884), pp. Princeton, NJ: Princeton University Press, 1987. This is a major recent translation into English of the Res Gestae Div Auguisti, with a 55 page introduction, 177 page commentary, and 20 page bibliography. Indeed, the author notes that he is working on a book entitled The Image of Augustus: Art, Ideology, and the Rhetoric of Leadeship. In this bibliography, the 2 halves of this landmark book are separately listed and annotated as: Especially notable are: 137-166.  “I fregi con pocessione dell’ Ara Pacis Augustae: osservazioni  sull’attuale ricostruzione”. Bollettino d’arte del Ministero della Pubblica Istruzione. For the Ara Pacis there are 2 standard photographs and 2 pages of text, summarizing Zanker's now accepted view that the principal message of the Ara Pacis was that Augustan peace was dependent on Augustan military success. The altar itself was not found” (p.31). 387-388). Philadelphia: Transactions of the American Philosophical Society, 1966. 91-98. Her argument depends primarily on comparison of the Ara Pacis processional reliefs with Roman funerary reliefs of the first century B.C. Rome: Giovanni Giacomo de Rossi, 1693 (2nd ed.). Architettiroma The 2 scrolling acanthus friezes are extensively illustrated on this website. Worth quoting are Van Buren’s important identifications and distinctions among the materials used in reconstructing the monument: “(1) original blocks, slabs, and fragments; (2) for the substructure marble from quarries at Carrara—not demonstrably those used by the Augustan buildiers; (3) for certain parts of the friezes and decorative elements, the originals of which are preserved elsewhere, plaster casts taken from those originals; (4) for some of the missing decorative parts, further casts, made from details already used elsewhere in the restoration, and arbitrarily introdued here for a second time in order to assist in giving a general impression of the sculptured bands; (5) also, in some instances, newly modeled plaster details” (p. 419). Hannover: Tauros-Presse, 1957. The Emperor and Rome: Space, Representation , and Ritual. Foresta, Simone Koeppel, G. M. The museum guidebook is listed and annotated under the name of its author-museum director, Orietta Rossini. Following Simon and others, Rose here presents the first extensive case claiming that “the two children in foreign dress on the Ara Pacis Augustae … usually identified as Gaius and Lucius Caesar”, should be “reidentified as barbarians from eastern and western regions of the Empire who were brought to Rome in 13 B.C.” Rose also argues that “two youths on the north frieze are identifiable as Gaius and Lucius”. Turin: G. Einaudi, 1986, pp. “Ara Pacis: Il cantiere delle polemiche opinione di Vittorio Sgarbi”. Semes essay posted on the web Feb. 6, 2012. 42 (1983), pp. Magnificent volume of over 250 large black-white photographs reproduced on high quality glossy paper, accompanied by informative text. “The Sundial of Emperor Augustus: Rise and Decline of a Hypothesis”. Altogether, text and illustrations provide a rich and systematic presentation of the Ara Pacis, much more so than any introduction. “La Policromia dell'Ara Pacis Augustae: Osservazioni dulla Storia dell'Arte Romana”. The most valuable contribution of the book is the series of frank, summary, 1 or 2 page statements by major participants in the project, based on interviews, describing their various roles, contributions, and points of view: Compendium: Journal of the North American Sundial Society. Mitt. Listed and annotated below under Kleiner and Buxton. “The Creative Reuse of Antiquity” Ph. He notes that the marble Augustan buildings stood on the green carpet of the Northern Camous Martius just as the figurative reliefs on the Ara Pacis stood on the larger base of the lush green acanthi reliefs. Studies of the Northern Campus Martius in Ancient Rome. In essense we are seeing here the newly constituted leading aristocracy  of Rome as it wished to be represented and as it wished, at least outwardly, to be closely idenitified with the new order”. This print shows that many of the restorations to the relief as we see it today were carried out between 1568 and 1727. Moreover, the 1829 map (fig.4), 1915 perspective drawing (fig.1), and 1934 aerial photograph (fig.7) of the immediate area all show the narrow strip of houses fronting on the Via di Ripetta, the site for the 1938 pavilion and later 2006 museum and show that as yet there was no road on the Tiber side of this row of buildings. The structure is composed of stone, mortar and brick; to have moved it would have meant destroying the monument as we know it today. Culture, Theory and Critique. While describing several of the other reconstructed ancient Roman structures and several newly built, the author gives primary attention to "the two architectural-urbanistic projects that were eventually fused into one: the reconfiguration of Augustus' Mausoleum and its surrounding zone; and the excavation and reconstruction of the Ara Pacis Roman temple" (page 812). In addition, there are some 30 smaller, gray-scale, historical photos. Vogel argues that the obelisk represented on the base of the Column of Antoninus Pius is the obelisk of Psametik II, which Augustus had erected on the Campus Martuus near the Ara Pacis. “Campus Marzio”. 115-116. A number of important fragments recovered are illustrated for the first time in small but high quality photographs. Firenze: Nardini, 2006, pp. From 26 September 2014 to 25 January 2015, the Ara Pacis Museum of Rome will host a retrospective exhibition of Henri Cartier-Bresson, curated by Clément Chéroux. Several of the most important photographs in this new publication had already been published by Petersen, and Durm’s remarkable 1904 drawing had already been published by Dissel. He rejects the term propaganda when discussing state monuments, speaking insetad of a "culture of public praise" (p.111). This, the main purpose and most significant achievement of the new Museo dell’Ara Pacis, is too often overlooked. The extent to which the surface of the marble reliefs of the Ara Pacis retain their original carving is, of course, essential to our reading of those reliefs. 43 x 31 cm. 334-363. / Mittheil. The book contains 11 small black-white illustrations, 4 of the Ara Pacis processional friezes. "Where are they now, the temples that were dedicated to the goddess on those Kalends? James J. Clauss and Daniel P. Harmon. There are only 6 illustrations for the Ara Pacis (figs. A composite, panoramic photograph of the 1938-39 carved inscription (restored) on the exterior wall of the Museo dell'Ara Pacis is on this website. Many judgments about the new museum are of course dependent on point of view and personal opinion. B. Endnotes are on page 176. It is especially unfortunate that, like many critics, Zanker nowhere mentions that the new museum building superbly achieves its main purpose, the protection of the Ara Pacis Augustae from further deterioration. In this Holliday, Peter J. d'intesa con il Centro di Studi per la Storia dell'Architettura. 542-557. "The experts hear various communications concerning the use of modern materials for the consolidation of ancient monuments. Palmer, Samuel Ball 1 (Winter 2009), pp. Pantaloni skinny cu talie inalta si cordon . Bianca Popp Strada Stefan Mihaileanu nr. “The Pontificate of Augustus”. 4 (2011), pp. Barton provides a valuable description of the vibrant colors of clothing worn by Roman women (p.44). Title page and table of contents available at: “Pax Augusta and the Horae on the Ara Pacis Augustae”. Vol. 351-400. The commentary includes highly clarifying observations including the basis for the translation and inscription. This chapter includes Rehak’s convincing re-identification and interpretation of the so-called ‘Sacrifice of Aeneas’ as “King Numa sacrificing” (pp.115-120). And one could indeed say that it had been kept in the open air, which had allowed for unrelenting clouds of dust to be blown on to the precious monument through the magnificent windowless façade above the temporary wall unit.”, “Quite unexpectedly, while the comune was fine-tuning the project and raising funds for its realization, the Mayor of Rome received a generous offer of assistance from Mr. Carlo d’Amelio, Governor of the 188th District of the International Rotary Club. Fino al 6 gennaio all’Ara Pacis, Henri Cartier Bresson. Torraca, Giorgio p.16.) ca. Many are reproduced full-page. Insolera, Italo Prete, Federico del Available on the web through the Digital Sculpture Project at: “Family portraits similar to those on the Ara Pacis may be found on many of the extant Greek funerary stelai and those which postdate the Parthenon are also much closer in style to the Augustan groups than are the Partheneon frieizes” (p. 757). The last minute placement of the reconstructed Ara Pacis Augustae within its  new pavilion is shown to aggrevate the already unresolved design of the Piazzale. As far as I can tell, there are only a few overall photographs of the monument or of the interior of the precinct wall or of the sacrifical altar. This constitutes perhaps the most carefully documented publication on any aspect of the physical history of the Ara Pacis Augustae. Pp. Sieveking, Johannes London, 1970 (first Italian edition Roma, L'Arte Romana nel Centro del Potere; Rome, 1969). Milan: Mondadori, 1989. Eight images from this book, including this map and photographs and 4 other fold-out maps in color, are available on this website. Richard Meier: Il Museo dell’Ara Pacis. Available on the web through JStor. Il Codice Botanico di Augusto; Roma – Ara Pacis; parlare al popolo attraverso le immagini della natura. Platner writes: “Systematic excavations in1903 under the palazzo . This is the comprehensive, scholarly catalogue of portraits of Augustus. 1903. BJb, 2002-2003: pp. Il Museo dell'Ara Pacis. Malachin, Filippo Galleria a cura del Centro studi Architettura Civiltà e Tradizione del Classico. The author provides the standard description of the Ara Pacis and calls the attention of "scholars of Rhetoric" to the multidimensional character of the rhetorical message; writing that "specific readings of the iconography target certain audiences ranging from urban plebs to Roman elites” and that “the Ara Pacis gives the Roman viewer a significant amount of agency in the process of constructing a narrative” (p. 13). Available on the web through jstor at Listed and annotated under Köln: Universität zu Köln; Archäologisches Institut; Forschungsarchiv für Antike Plastik. In all of these, especially  in the last section, the extensive 1784  interventions of  Francesco Carradori are given special attention. Listed and annotated under Res Gestae Divi Augusti. Gli architetti e il fascismo Architettura e cità 1922-1944. Based on extensive research of relevant documents, this is a most valuable contextual study. New York: Penguin Books, 1970. The building stands out, on its own, in an authoritarian way in a piazza that, even if rich in stratification, was till now still quite ‘temperate’. Engramma, no.88 (March 2011); previously no.75 (Oct.-Nov. 2009). Rome, 2001. 25-32, On the web at through Engramma. 93-103. Because we now know that the spacing the figures in the 1938 reconstruction, as we see it now, is incorrect, all such attempts must be rethought. "LAra Pacis Augustae nei filmati dell'Archivio Storico Istituto Luce". Other superb photographs of the Ara Pacis and related material are available on the Archne web site, listed below. col tuo pantalone bianco all’ara pacis per educazione dò un colpetto di clacson e ti guardo che poi con te è tutto un flirtare tanto non concludi mai t’ho preso due o tre girasoli per farmi perdonare e dai la mia fluo-uo nei tuoi occhi blu eravamo un duo-uo ma ora non lo siamo più sotto casa che ti faccio mille poste In translation: “Venus, Polysemy, and the Ara Pacis Augustae”. Francesca Monza. NY: Thames & Hudson, 1995, pp. Syme, Ronald Salvatore Settis. Vol. Nei tuoi occhi blu. Washington, DC: National Academy Press, 1982., pp. Claridge, Amanda “Fascist Doctrine and the Cult of Romanità". Long bibliography by topic without annotations. Jahrbuch des Deutschen Archäologischen Instituts  (Jdl ). Most importantly, there is a diagram lining up the design of the scrolling acanthus relief with the processional relief on the original south side of the monument. http://www.architettiroma.it/archweb/notizie/10879.aspx   (23 February 2009). http://www.jstor.org/stable/296027. Pantaloni skinny din piele ecologica cu talie medie. She finds that this interpretation shows the Ara Pacis to be “one of the most carefully and logically conceived structures of which we have knowledge” (p.141). http://www.nytimes.com/2006/09/25/arts/design/25paci.html, Available on the web through Revistes Catalanes. Through study of unpublished documents, Dolari has been able to describe with more specificity and detail than previous authors some of the decisions made in the 1938 reconstruction of the Ara Pacis. Alege Pantaloni de piele pentru dama de la eMAG! His landmark, 2-volume publication did not appear until 1948, but this scholarly guide book is an invaluable record of Moretti’s understanding of the altar at the time of its reconstruction. Vol. Designing Modernnity: The Arts of Reform and Persuasion 1885-1945, ed. Lazzaro, Claudia, and Roger Crum. Vol. Vol. Detailed account of drawings from the collection of Cassiano del Pozzo and his family, now in the Royal Library at Windsor Castle. Scholarly edition of the Res Gestae based on the three surviving ancient copies in Latin and Greek, carved into monuments in present-day Turkey. (Abb, Sächs. Archaeologia Transatlantica V. . She demonstrates in more detail than previous authors the botanical complexity of the vegetal reliefs and that they show “a careful knowledge of the plants’s world and a deep observation of Nature”. Rome: Edizioni di Storia e Letteratura, 1963. Architettura romana - Colosseo - Teatro - Circo, LEZIONI DI STORIA DELL'ARCHITETTURA - Prof.ssa Philomène Gattuso, Aguiar-Provedel: Logistica sostenibie, un'occasione di sviluppo 6 innovazione. Brandi's classic volume on the restoration of art  by the most influencial 20th century Italian theorist  of conservation and restoration. Guglielmo Gatti (1905-1981) was Moretti’s principal collaborator in the 1937-38 excavation and reconstruction of the monument in its new location and later Superintendent of Museum, Galleries, Monuments and Excavations of the City of Rome, making this is a uniquely informed account of these years. Edizione Quasar, 1990, a half-size edition (1st ed. Kockel, Valentin Her evaluation of the possible readings of this fragment should be read by everyone. He concludes that “the processions of the Ara Pacis do not represent a single ‘snashot’ of some historical moment, but rather an ideal conception of the close associates of Augustus in the aftermath of his return from the western provinces in the summer of 13”. 457 RON Fjallraven Brenner Pro Winter Trousers M , pantaloni vânătoare. http://www.sguardi.info/index.php?id=218,1240,0,0,1,0&highlight=Angeloni. Includes a 54 page bibliography of references and a 12-page list of useful references for 24 subjects. All of the illustrations in this article with captions are reproduced on this website. Drafted by the Supreme Council of Antiquities and Fine Arts. Editori Laterza, 1989. Morpurgo, V. (Vittorio Ballio Morpurgo, 1890-1966) American Journal of Archaeology (AJA) The focus of her chapter, however, is the 2 children in non-Roman attire (1 on the north and 1 on the south frieze processional frieze). Because it was published before the extensive 1937-1938 excavation and reconstruction of the Ara Pacis, its use for the Ara Pacis is now primarily for recording the scholarly knowledge of the altar avaiable in the 1920s. Favro, Diane The author restates the valid criticisms of the 2006 Museo dell'Ara Pacis, designed by Richard Meier, such as the lack of ramps to allow more direct viewing of the processional friezes and the steel and opaque glass sunshades that throw so-called "zebra  stripes" when their is intense sun on sections of the monument. . Res gestae divi Augusti Vol.149 (January - February 1987), pp. Acta Jutlandica, Vol. M. Anadaloro. 432-457. Milano: Mandadori Electra spa, 2007. There are some 150 high-quality illustrations, almost half in color, and more than half full or nearly full-page. 5. Most notably, there are about 50 photographs of the highest professional quality, some 15 from the Forschungsarchv für Antike Plastik, Köln, and a remarkable 35 or so from Frau Gisela Fittschen-Badura, Köln. Gargano,. An exceptionally informed and clearly presented archaeological guide to Rome, Ostia, and many other outlying areas. Ward-Perkins, J. It would be reasonable, however, to criticise the new museum for not repeating the ramps along both sides in the 1938 pavilion, which provided a higher viewpoint for viewing the processional friezes. Together, they constituted the first books published on the Ara Pacis Augustae. 1-24. Richard Meier & Partners: Complete Works 1963-2008. . Roma: Comune di Roma; Milano: Electa, 2011. Originally pub. Engramma, no.58 (July-Aug. 2007). Quderni di Storia. Antikenmuseum Berlin, Staatliche Museen, Preussischer Kulturbesitz. The author emphasizes the range of representations and the development of a new type of imagery for Livia and other Imperial women, all within the socio-political context of the time. 404-421. Gardthausen, Viktor Emil (1843-1925) The select bibliography is organized under some 50 subjects, whose titles  convey the rich conceptualization of the book, and within them by subtopics. from German by Alan Shapiro. The Roman Cultural Revolution. Vienna: IRSA, 1990. A clear summary of his philosophy of restoration and conservation by the most influencial 20th century Italian theorist  of conservation and restoration. 5-12. But the new ceiling/roof above the altar is much higher than in the previous pavilion and allows in significantly more daylight, in addition to being fitted with ducts for air control and major artificial light for overcast days and night viewing. 127 (2007), pp. Encyclopedia of World Art. This small paperback includes a brief but authoritative 14-page text by the distinguished archaeologist responsible for the 1937-38 excavation and reconstruction of the altar. This thesis has serves as a basis for many following discussions of the Ara Pacis. Pp. The book includes an 8-page chronology of the Roman Empire from106 BCE to 68 CE. Touch screen with extensive, educational material, on display in the lower level of the Museo dell’Ara Pacis. There are also 15 or so pages diagramming the author’s suggestions for the design of the scrolling acanthus friezes and, in some cases, how they relate to the figural friezes above. http://www.engramma.it/eOS/index.php?id_articolo=38, http://www.digitalsculpture.org/casts/felice/index.html, A pdf of a copy at the Widener Library, Harvard, is avaiable on the web through Google book. Res Gesta Divi Augusti, ex Monumentis Ancyrano, Antiocheno, Apolloniensi. Carol C. Mattusch, A.A. Donohue, and Amy Brauer, eds. 4 (1949), pp. Giuseppina Pisani Sartorio, et. Links are provided to materials within and without this website. 15 (2002), 416-428. Galleria a cura del Centro studi Architettura Cività e Tradizione del Classico. "Cult and Sculpture: Sacrifice in the Ara Pacis Augustae". Janet Burnett Grossman, Jerry Podany, and Marion True (Los Angeles: J. Paul Getty Museum, 2003). Col’ tuo pantalone bianco all’Ara Pacis Per educazione, do un colpetto di clacson E ti guardo. Ed. diabattiti rotariani rivista monogafica del Rotary Club Roma Sud, Anno III, n. 5-6, 1970. “Pietas Augusta, ARA”. Mitt. Pp. There are 300 photographs of mixed qualituy, a few superb. For scholarly documentation, it would be desirable to include the date of each photograph. 77-101. Proceedings of the Eighth Conference of Color. About 20 are full page plus 2 double page. He draws analogies with Pompeian frescoes and interior decoration of contemporary Roman houses. This slab had been discovered and photographed during the 1903 excavation but was not fully unearthed and brought to the surface until the 1938 excavation. http://www.jstor.org/stable/506032. Die Bildnisse des Augustus. 12, col. 194-197. Grossman, Janet Burnett; Jerry Podany, and Marion True, eds. Römische Mitteilungen. Archeologia e Restauro: Tradizione e Attualità. Book 4, "Corinthian, Doric, and Tuscan Temples"; Chapter 5 "Orientation", Chapter 9 "Altars". A photo of this engraving with caption is on this website. She bases her argumet on a wonderfully detailed examination of the “technical signatures left by chisel, drills, and other tools, along with the aesthetic preferences for anatomically unrealistic, structureless figures, and abbreviated details of form” (p. 103). Berkeley: University of California, Spring 2006. This is a masterful scholarly study, the most detailed review of evidence for the Res Gestae and of scholarship about it. Public monuments from Augustus to Septimius Severus". 31, et. 2003 March 19. 56-63. Die Regierungszeit des Kaiser Claudius. Roma Moderna: Un secolo di storia urbanistica, 1879-1970. Detailed account of drawings from the collection of Cassiano del Pozzo and his family, now in the British Museum. Tafuri, Manfredo Zanker, Paul Berlin: Kulturstadt Europas; Mainz am Rhein: Verlag Philipp von Zabern,1988; pp. ARTstor Pantaloni casual pentru bărbați pentru orice ținută pe ZARA online. Doordan, Dennis P. Ara Pacis Augustae: Die Altar der Friedensgöttin Pax Augusta in Rom.