The Struts cemented their profile with two swaggering albums – 2014's Everybody Wants and 2018's Young & Dangerous – their success helped in no small part by the impossible charisma of vocalist Luke Spiller. The 405. There are vibrant splashes of colour, and surrealism draped over a velvet reality. If the rest of La Futura wasn’t as radical, it was no less enjoyable, from the arch slow-blues of Over You to Chartreuse’s cheeky resurrection of the riff from Tush and Consumption’s throbbing sci-fi blues. The Guardian. Sometimes they’re barely even Bob The Builder. It’s the greatest rock albums of all time. At the Disco) and Sam Hollander (Neon Trees), Young & Dangerous sounded fantastic, its sledgehammer pop crunch delivered with analogue warmth designed to hit a deep vein of joy in any fan of rock’s golden age (Queen, Thin Lizzy, Faces et al). As already mentioned further up the page, The Struts should, by rights, already be the global stars they imagine they are. Sputnikmusic. You will receive a verification email shortly. 100. The Sheffield band have cycled through various incarnations during their career – heavy metal kids, groundbreaking arena rockers, grunge wannabes, glam-rock revivalists and, on 2002’s rotten X, an ageing boy band. After a decade of studio silence, when single Where Are We Now? From the experimental wanderings of St. Vincent’s Strange Mercy and Masseduction and Mitski’s feminist magnum opus, Be the Cowboy , to the straightforward, yet captivating, storytelling on Lucy Dacus’ Historian and Sharon Van Etten’s Remind Me Tomorrow, women changed the voice of the genre and offered brave, new perspectives on a tumultuous social climate plagued by misogyny and xenophobia. “Hang on... did Ozzy just say Greece? Ice bucket challenges. And amid the fierce concentration and finessed chops there was still something appealingly wild about it all. 2010 contained a wealth of great songs, including brokenhearted ballads, underrated gems, and a stellar comeback single from a reunited band. It was both brazen and brilliant, and alerted you to the fact that this was a band who really meant business. Secondly, a quick scan of the albums below will show you that rock music's been plenty busy over the last 10 years. The Fly. ”. Occasionally. I just felt like I wanted a change, you know? Sputnikmusic. Japan’s ‘kawaii metal’ teen sensations divide opinion, but their second album proved that their crack musical team knew exactly what they were doing. They invariably play with reverential respect to the spirit and feel of the original recordings, but bring much more to the table. And it was about fucking time. https://www.loudersound.com/features/the-50-best-rock-albums-of-the-decade Or the most refreshing and exciting thing to happen to heavy music this millennium? What a surprise it was, then, when we heard the first fruits of their labours: single and album opener I Gotsta Get Paid, a bruising cover of an obscure Texan hip-hop track turned into a monolithic statement of intent. The singer has always been the first to admit that Leppard aren’t Bob Dylan. But who would now sit at Ozzy’s right hand and continue the post-Sabbath travails that began with 1980’s landmark Blizzard Of Ozz? You really couldn’t make it up. They honed this recipe over two first-class LPs (One Day from Crooked Doors still makes us well up every time), but WICK was the peak of their career thus far – a rich, well-paced hybrid of heavy Led Zeppelin hoodoo, Fleetwood Mac romance (but harder and darker) and raw emotion. The sleaziest of guitar riffs snaked its way around an irresistible Lust For Life-style groove, over which Spiller drawled: ‘You can pretend you don’t want it!’ like Iggy on Viagra stumbling into a #MeToo seminar. Still, for all the album's solemnity, Waters was clearly in his element, even if his Indian summer might still coincide with our nuclear winter. News of Ozzy Osbourne’s upcoming tenth album seemed more like, oh, another release. The Irish Times. And then there was his fourth solo album (not counting 2005’s three-part opera, Ça Ira). When it was announced that the Rolling Stones were to release an album of blues covers, no one voiced a word of disappointment. What a year 2014 was, eh? Rock and roll as we knew it may be over, but the genre is far from dead. The syrupy power ballad No Rain, No Rainbow threatened to erupt into boiling pustules of molten thrash, but never did. Don't Edit. Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox! But both are free now — free from the unbearable weight of a dog-eat-dog world obsessed with metrics, optics, and absurd antics. Bath Their eponymous debut introduced future standards by Willie Dixon and Jimmy Reed into the mainstream yet, while remaining true to the originals, they infused each recording with a raw vitality and licentious swagger that was quintessentially Stones. The case for Ozzy’s defence began with a blazing statement of intent – a six-minute belter that kicked off with a Moorish-inflected frenzy that transformed into a doomtastic riff and Ozzy making Kid Rock-esque pronouncements like: ‘I’m a dealer, I’m a rock star,’ before the mid-tempo swagger returned to a feverish solo by Gus G and a most un-power-metal sexiness that no one saw coming. The Irish Times. Famed for back- to-basics salvage jobs on the likes of Johnny Cash, Metallica and others, Rubin’s method and mores were clear: no messin’, no fuss, just stripped-down music that allows the artist’s original quality to show through. At the beginning of the 2010s many predicted the slow death of the album -- but at the decade's end, the format seems forever changed, but still absolutely vital. Of course, there was no guarantee of anything going the way it should and history might well have repeated itself: The Struts could easily have wound up working the fryer in the Derby branch of Chicken Cottage. And best of all, a surprise new album called POST-from punk-rock lifer Jeff Rosenstock, former Bomb the Music Industry! Visit our corporate site. The Skinny. And while many long-time rockers have been mourning rock and roll’s slow death for years, this decade delivered finality to its demise as hip-hop usurped the guitar-driven format’s popularity crown in 2017. Sunbather is a fantastic album, and few bands of the 2010s have inspired as much online discussion, particularly regarding genre, as Deafheaven. For one thing, there are a lot worse places to be than sitting atop the proceeds of 100 million record sales. (Classic Rock) 18 December 2019, As the 2010s reach their end, we present the 50 best rock albums the decade had to offer, as voted for by you guys. If nothing else, you had to admire their sheer brass balls. After the (eventual) success of everybody wants, the band relocated to LA and spent three years in self-imposed exile, learning their chops on extensive tours with rock heavyweights – The Who, Guns N’ Roses and Foo Fighters. Just because Kiss failed to make a great record this decade doesn't mean everyone else did. The album is like an aural depiction of the Impressionists. So, here we present the best 50 rock albums of the decade – as voted for by you. Because, really, Ozzy records have always been defined by the guitarists playing on them. Even if rock found its way onto the … Is Zack Snyder's Justice League Worth It. The Arts Desk. Here are the 25 best psychedelic rock albums of the 2010s. The Line of It was soon revealed that not even Zakk was sure whether he’d been fired. Not that The Struts had retreated down a retro wormhole. But seek out Dirty Boys (heavy thumb on the ‘dark and sinister’ button), with its hard, Iggoid vocal, tremolo guitar, honking baritone sax and evocations of childhood menace (‘I will buy a feather hat/I will steal a cricket bat… when the sun goes down, the die is cast’) or the searing anti-war lyric of I’d Rather Be High (‘I’d rather be dead or out of my head than training these guns on those men in the sand’). Firstly, he's been saying this sort of thing since 1993, and we all know how the 90s panned out in terms of rock's legacy. Unlike most of their young contemporaries, they proved themselves familiar with the lost art of writing a chorus. They proved themselves just as, if not more, capable of recording completely live in the studio as they were when they first entered Regent Sound Studios in ’64. But credibility in the eyes of the cultural gatekeepers still evades them. The title may have struck a note of reflection, even resignation, but what you got on Roger Waters’ first long-player since 1992’s Amused To Death was rancour, even rage. The Independent. Well, it was and it wasn’t. View reviews, ratings, news & more regarding your favorite band. In an age where hip-hop and pop have become the Instagram generation’s soundtrack of choice, The Struts’ refusal to toe the line became more thrilling with every knowing nod to rock’s sepia-tinted past, from the Gimme Shelter intro to Primadonna Like Me to the Baba O’Rileyesque coda of Ashes (Part 2). Deerhunter, Halcyon Digest (2010) Halcyon Digest is a tranquil coda to Deerhunter’s lustrous indie-rock breakthrough on 2008’s Microcastle, nestling into dreaminess throughout most of … Who knows what the 2020s have in store for the rock genre, but I’ll bet you it soars “just like that bluebird.”, Click ahead to see our Top 25 Rock Albums of the 2010s…, Top 25 Rock Albums of the 2010s (photos by Ben Kaye), Kurt Vile, photo by Kaela Chancey Roffman, Foo Fighters, photo by David Brendan Hall, Sharon Van Etten, photo by Heather Kaplan, Lana Del Rey and Ben Gibbard duet on Death Cab for Cutie’s “I Will Follow You into the Dark”: Watch, Clipping. The Line of Best Fit. Jessica Walter, Arrested Development Actress Dead at 80, the best music, film, and television of the decade, hip-hop usurped the guitar-driven format’s popularity crown, Calling All Losers: Stephen King Merch on Sale. All credit to Waters: he could easily have coasted on the nostalgia circuit in what is effectively the twilight of his career. Listen to our Best Folk Albums of the 2010s playlist on Spotify right here. Kim Kardashian’s arse (aka Kanye West). © Such a steep learning curve wasn’t wasted on them, because their second album was stadium sized in every respect. Please refresh the page and try again. The Guardian. Just as hard as any band extant and certainly as hard as the Stones have ever kicked before. Consequence of Sound's ranking of the 25 best alternative rock albums from the 2010s. But then that’s the beauty of it – if ever a band were cliché-proof, it’s Def Leppard. Leppard’s 11th studio album was touted as a return to basics. https://www.loudersound.com/features/the-50-best-rock-albums-of-the-decade/3 Black Belt Eagle Scout: At the Party With My Brown Friends. ' John Prine, 'The Tree of Forgiveness' Rich Gang, ‘Tha Tour Part 1’ Low Cut Connie, 'Call Me Sylvia' Future, 'Monster' Sheer Mag, 'Need to Feel Your Love' U2, 'Songs of Innocence' Vampire Perhaps you need this kind of weighty life experience to make the kind of intense rock that Royal Thunder manage so well. Kicking harder than you’d expect of a band in their proud, preening, priapic prime. Best Albums Of The 2010s: 30 Classics That Defined … Where once was pianist Ian Stewart was Chuck Leavell; where once taciturn bassist Bill Wyman, Darryl Jones. Others like Kurt Vile surmised rock’s way forward would be found in returning to its roots. “Man up and give me a call,” he exclaimed in a radio interview. Katherine Paul, aka Portland’s Black Belt Eagle Scout, creates rock music in delicate soft focus. Who says we don't have any rock stars anymore? There were at least six potential hit singles on the album, which at the time was half-a-dozen more than most other rock bands of their fresh vintage. The Observer. These are serious times, and you either respond with heads-down party music or with something grave like this. Taylor Swift - … https://www.loudersound.com/features/the-50-best-metal-albums-of-the-2010s When Mlny Parsonz sang “you ripped out my heart” you didn’t question it, and Weaver’s hard, melodious guitar accentuated her cries to powerful effect. Louder is part of Future plc, an international media group and leading digital publisher. That powerfully moving, almost unsettling racket that’s at once painful as hell and extremely beautiful. member and one of the … Thus various tracks were based on the Bowie Stomp Beat (think Fashion, Boys Keep Swinging), the neo-50s chord changes of Five Years or Drive-In Saturday, the reggae-funk bump of Ashes To Ashes or Under Pressure. There has never really been a Def Leppard factory setting. All rights reserved.